Professional memberships
Chartered Institute of Editing and Proofreading (CIEP) – Advanced Professional Member
Association for Freelance Editors, Proofreaders and Indexers, Ireland (AFEPI) – Full Member
Editors’ and Proofreaders’ Alliance of Northern Ireland (EPANI)
Educational qualifications
MA Irish History, Queen’s University Belfast (2004)
BA History and Politics, Queen’s University Belfast (2003)
Training and professional development
Publishing Training Centre, London
- Advanced Copyediting (2019)
- Editing Fiction (2021)
- Copyediting Skills (2009)
- Adobe Tools for Editors (2021)
- Proofreading PDFs (2022)
- Basic Proofreading (2007)
- Editing References (2022)
- Grammar at Work (2018)
CLÉ/Publishing Ireland
- Proofreading, Stage I (2007)
- Proofreading, Stage II (2007)
- Grammar for Editors (2007)
CIEP
- Word for Practical Editing (2023)
- Efficient Editing (2022)
- Fiction Editing (2021)
- Editing Digital Content (2021)
Miscellaneous
- Developmental Editing – Fiction Theory (Liminal Pages, 2022)
- Switching to Fiction (Louise Harnby, 2021)
- InDesign (Giant Training, 2011)
- Quark XPress (Giant Training, 2011)
- Digital Graphic Design (NRC, 2017)
Experience
I have worked in publishing since 2003, and for over thirteen years was an in-house editor, proofreader and production editor for the prestigious Irish publisher, Blackstaff Press. However, I often wore other hats: project manager, permissions expert, typesetter, and even, if a Mac or printer let us down, tech support.
I am also an experienced educational editor, working for several years with Colourpoint Education, where I edited and proofread books and resources for KS3, GCSE and A level.
Since making the move to freelance editing in 2019, I have worked with many publishing houses, including including HarperCollins UK, HarperCollins Ireland, Bloomsbury/Head of Zeus, Voyager/Magpie Press, One More Chapter, Borough Press, Bonnier Books, Heligo, Black & White, Eriu, Gill Publishing, Blackstaff Press, New Island, Dingle Publishing, Colourpoint Creative, Greenwich Exchange, Irish Academic Press; and with companies such as Northern Ireland Publications Resource (NIPR), Prime Cut Theatre Company, Antrim and Newtownabbey Borough Council and NI Department of Education.
Services offered
Manuscript assessment, developmental editing, copyediting, proofreading, permissions requests, print buying, picture research, comparison of educational texts to curriculum specifications.
Media
Text-led books, illustrated/photographic books, multi-author books, anthologies, educational materials, textbooks, website content, digital resources, workbooks.
Subject areas
Fiction: Commercial, literary, women’s, historical, children’s & YA, speculative (fantasy, science fiction, supernatural, mythology)
History: 19th–20th century; Irish, British, Northern Irish, local; World War I & II
Biography/Autobiography/Memoirs: 20th–21st century; historical, literary, musical, political, business
Clients include
HarperCollins UK, HarperCollins Ireland, Bloomsbury/Head of Zeus, Voyager/Magpie Press, One More Chapter, Borough Press, Bonnier Books, Heligo, Black & White, Eriu, Gill Publishing, Blackstaff Press, New Island, Dingle Publishing, Colourpoint Creative, Greenwich Exchange, Irish Academic Press, Northern Ireland Publications Resource (NIPR), the Prime Cut Theatre Company, Antrim and Newtownabbey Borough Council and NI Department of Education.
I have worked with authors such as Ciaran Carson, Frank Ormsby, Patricia Craig, Éilís Ní Dhuibhne, Evelyn Conlon, Lady Mary Peters, Ellen Ryan, Myles Dungan, Marianne Elliott, Michael McCaughan, John Killen, Tom Hartley and Anna Lo.
Examples of work undertaken
As proofreader: Ellen Ryan, Gods Don’t Cry (HarperCollins Ireland, 2024); Anthony Glavin, Way Out West (New Island, 2024); Éilís Ní Dhuibhne, Selected Stories (Blackstaff Press, 2023); Molly Hennigan, The Celestial Realm (Eriu, 2023); Josh Littlejohn, Paying it Forward (Heligo, 2023); Amy Arthur, Pace Yourself (Black & White, 2023); Ellen Ryan, Girls Who Fight Monsters (HarperCollins Ireland, 2023); Eva Glyn, The Collaborator’s Daughter (HarperCollins/One More Chapter, 2023); Myles Dungan, The Great Irish History Book (Gill, 2022); Damien Owens, Duffy and Son (HarperCollins Ireland, 2022); Jack Horgan-Jones & Hugh O’Connell, Pandemonium: Power, Politics and Ireland’s Pandemic (Gill Books, 2022); Frank Ormsby & Michael Longley, Selected John Hewitt (Blackstaff Press, 2007); Marianne Elliott, Hearthlands (Blackstaff Press, 2017)
As copyeditor: Megan Scott, The Temptation of Magic (Magpie/Voyager, 2024); Evelyn Conlon, Reading Rites (Blackstaff Press, 2023); Rose Cartwright, The Maps We Carry (Borough Press, 2024); Evie Woods, The Lost Bookshop (HarperCollins/One More Chapter, 2023); Sheena Wilkinson, Mrs Hart’s Matrimonial Bureau (HarperCollins Ireland, 2023); Freddie Alexander, Monster Island (HarperCollins Ireland, 2023); Myles Dungan, The Forgettables (Gill, 2023); Conor Gallagher, Is Ireland Neutral? (Gill Books, 2023); Frank Connolly, United Nation (Gill Books, 2022); Michael McCaughan, Titanic: Icon of an Age (Blackstaff Press, 2012); Tom Hartley, ‘Written in Stone’ series (Blackstaff Press, 2014, 2014 and 2019); Lesley Veronica, Northern Ireland Government and Politics for CCEA AS Level (Colourpoint Educational, 2017); Kevin Doyle, A River of Bodies (Blackstaff Press, 2019); Antrim and Newtownabbey Borough Council, ‘Gulliver’s Trails’ (ANBC, 2021)
As developmental editor: Mary Peters, My Story (Blackstaff Press, 2023); Santis O’Garro, Money Mentor (HarperCollins Ireland, 2023); Terri Hooley & Richard Sullivan, Hooleygan (Blackstaff Press, 2010); Lee Henry, Belfast Taxi (Blackstaff Press, 2012); Laurence Donaghy, ‘The Folk’d Trilogy’ (Blackstaff Press, 2013, 2014, 2015); Jim McBride, Russia 1914-41 for CCEA AS Level (Colourpoint Educational, 2018)
As final reader: Patricia Craig, Asking For Trouble (Blackstaff Press, 2007); Ciaran Carson, Pen Friend (Blackstaff Press, 2009); Sophia Hillan, May, Lou and Cass: Jane Austen’s Nieces in Ireland (Blackstaff Press, 2011); Éilís Ní Dhuibhne, Twelve Thousand Days (Blackstaff Press, 2018)
As editor: Gerald Dawe, Earth Voices Whispering: An Anthology of Irish War Poetry 1914–45 (Blackstaff Press, 2009); Stephen Douds, Belfast Blitz: The People’s Story (Blackstaff Press, 2011); Reggie Chamberlain-King, Weird Belfast (Blackstaff Press, 2014); John Killen, The St Patrick’s Treasury (Blackstaff Press, 2016); Colin Breen, A Force Like No Other: The Next Shift (Blackstaff Press, 2019)
Testimonials
‘Michelle is one of Northern Ireland’s most experienced and accomplished editors and we place work with her regularly and without hesitation. She has an excellent and sustained track-record of completing work to the highest standard for us. Whether she is assessing and developing manuscripts, doing substantive or line by line editing, catching legal issues or other sensitivities, or sourcing illustrations and clearing permissions, she does a first-class class job. She is experienced across a whole range of genres – memoir, fiction, history, politics – and has worked on heavily illustrated books, meaning that she has just as keen an eye when it comes to design and layout issues as she does in editorial matters. Her in-house experience means that she understands the publishing process from beginning to end and she quickly grasps a set brief and works to it, gives appropriate updates on progress (flagging issues as necessary), and always provides thorough and helpful handover documents. I recommend Michelle without hesitation to authors and publishers; she has been a valuable asset to Blackstaff and to me in my work as managing editor.’
Patsy Horton, managing editor, Blackstaff Press
‘Michelle Griffin was a key member of the editorial team for ‘Girls Who Slay Monsters’ and her work was exceptional throughout the project. She carefully considered the big picture of each story within her process, and had a keen eye for detail. Booksellers, authors, and readers of all ages have praised the prose in this book, and Michelle’s work has undoubtedly contributed to this.’
Ellen Ryan, Girls Who Slay Monsters (HarperCollins 2022) – Winner of the An Post Children’s Book of the Year, 2022
‘It was a pleasure to work with you. Thank you for your assiduous attention to detail, your kindness and care, your knowledge of English … everything.’
Éilís Ní Dhuibhne, ‘Selected Stories’ (Blackstaff Press, 2023)
‘Michelle Griffin was the copyeditor on my novel ‘Mrs Hart’s Marriage Bureau’, and I was overwhelmed by her attention to detail, professionalism and sensitivity. She ‘got’ the tone of the novel brilliantly, and all her comments showed a very finely-tuned ability to get the best out of the text. This is my ninth novel, so I have worked with many editors, but with Michelle I knew I was in expert hands from the moment I saw her report. Her detailed timelines and character lists helped me to keep track of dates and events, and have even helped me as I embark on writing the sequel. Working with Michelle was one of my most positive editorial experiences in a long career. I very much hope to work with her again and recommend her very warmly indeed.’
Sheena Wilkinson, Mrs Harts Marriage Bureau (HarperCollins, 2023)
‘Michelle Griffin was the copyeditor for my debut novel. Her work was scrupulous and thorough. She really engaged with the overall direction of the manuscript whilst maintaining a meticulous approach to the details. Although the narrative voice in ‘The Deadwood Encore’ is idiosyncratic and colloquial, Michelle took this in her stride. This is indicative of her commitment to a collaborative approach. I have no doubt her work strengthened and improved my manuscript. I hope any future writing I produce would be subjected to the level of professionalism and care Michelle gave to this book. She also brings a positive engagement and energy to her work which made this part of the process very enjoyable. Her work gave me an extra level of confidence sending my story out into the world. My experience of this process would make me happy to recommend Michelle for copyediting work.’
Kathleen Murray, The Deadwood Encore (HarperCollins, 2022)
‘The relationship between editor and author has the potential to generate depression, anxiety and lots of sleepless nights. This was not the case with Michelle, her professionalism and meticulous approach was balanced by a generosity of spirit and the ability to extract my literary best as we edited our way through my manuscripts.’
Tom Hartley, Lord Mayor of Belfast, 2008–09 (Written in Stone series, Blackstaff Press)
‘Michelle Griffin is one of the very best. She is scrupulous, sensitive and gifted. The book she worked on required not only a special editor but a special person, such were the sensitivities involved. And, while being meticulous about what the book needed, she was never anything other than keenly, instinctively alert to the human beings concerned.’
Damian Gorman, So Young (Blackstaff Press, 2022)
‘Michelle is an excellent and dedicated editor and I believe her editing input substantially improved my manuscript. The vast majority of changes that she suggested I make were eventually incorporated into the finished text. Now, when I read the book, I am really glad those changes were made. She struck the right balance between improving the narrative while remaining focused on the deadline. She was meticulous and thorough and I found working with Michelle enjoyable and hugely beneficial. Apart from being personable, she is forthright, honest and committed. I cannot recommend her highly enough.’
Kevin Doyle, A River of Bodies (Blackstaff Press, 2019)